There are those who are afraid of the sun, and those who are afraid of the sea: Alma can't stay exposed to the sun without suffering, Ulysses can't look at the water without shivering. Yet it is precisely during that summer in Naxos, between the Cyclades and the echoes of ancient myths, that the two young people discover the ability to look beyond their fears and see themselves reflected in each other. Simona Dolce (L'estate in cui ho fermata di essere paura, Mondadori) delicately explains how, sometimes, the encounter with other fragilities is enough to learn to accept one's own and transform it into something precious.
There are those who are afraid of the sun, and those who are afraid of the sea: Alma can't stay exposed to the sun without suffering, Ulysses can't look at the water without shivering. Yet it is precisely during that summer in Naxos, between the Cyclades and the echoes of ancient myths, that the two young people discover the ability to look beyond their fears and see themselves reflected in each other. Simona Dolce (L'estate in cui ho fermata di essere paura, Mondadori) delicately explains how, sometimes, the encounter with other fragilities is enough to learn to accept one's own and transform it into something precious.