Francesco is forty-four years old, divorced, childless, and works as a clerk in a communications agency. His existence appears ordinary and reassuring, but Francesco often comes to a bitter conclusion: what he has is far from his youthful dreams. He is moderately honest, moderately sincere, and what is called a "good person." In fact, Francesco has never been good enough. He feels like he's halfway there in everything. So he decides to transform himself into "a bad person." With irony and depth, Gabriele Corsi (Un uomo da poco, Cairo) shows us the life of someone who is the life of many, the prowess and pettiness of humanity, the redemption of feelings. He engages in conversation with Federico Taddia, and the mood is set by live music from Lucky Fella (Gianluca Cavagna, vocals; Lorenzo Geroldi, piano and trumpet; Gioele Mazza, guitar).
Francesco is forty-four years old, divorced, childless, and works as a clerk in a communications agency. His existence appears ordinary and reassuring, but Francesco often comes to a bitter conclusion: what he has is far from his youthful dreams. He is moderately honest, moderately sincere, and what is called a "good person." In fact, Francesco has never been good enough. He feels like he's halfway there in everything. So he decides to transform himself into "a bad person." With irony and depth, Gabriele Corsi (Un uomo da poco, Cairo) shows us the life of someone who is the life of many, the prowess and pettiness of humanity, the redemption of feelings. He engages in conversation with Federico Taddia, and the mood is set by live music from Lucky Fella (Gianluca Cavagna, vocals; Lorenzo Geroldi, piano and trumpet; Gioele Mazza, guitar).